浮雕黄铜雕刻的介绍
浮雕黄铜雕刻源远流长，并不断随着时代的演化而发展。作为一种人文创造，浮雕始终以其独特的艺术形式展现、丰富着人类的历史与文明；作为一种视觉艺术，铜浮雕与其它艺术形式一道，以它的发生发展记载、构筑着艺术的演进轨迹与繁荣景象。浮雕更多的被用来表达审美意志，优化社会文化环境及传播时代精神。
Relief brass carving has a long history and develops with the evolution of the times. As a kind of humanistic creation, relief always shows and enriches human history and civilization with its unique artistic form; As a visual art, relief, together with other art forms, records and constructs the evolution and prosperity of art with its occurrence and development. Relief is more used to express the aesthetic will, optimize the social and cultural environment and spread the spirit of the times.
现代浮雕黄铜雕刻在新技术、新知识、新观念的影响下，呈现多元化、丰富性的发展态势。在创作过程中，艺术家受到诸如观念与审美、材质与工艺、创作心理与时代需要等要素的制约。
Under the influence of new technology, new knowledge and new concept, modern relief brass carving presents diversified and rich development trend. In the process of creation, artists are restricted by such factors as concept and aesthetics, material and technology, creative psychology and the needs of the times.
正是这些制约、构成了浮雕黄铜雕刻特殊的艺术本质和语言形式。雕塑家只有充分利用这些要素制约，熟悉其创作形态及语言形式的特殊性，扬长避短，“不择手段“地发挥自己特有的灵感，才能在创作的天地中自由驰骋。
It is these restrictions that constitute the special artistic essence and language form of relief brass carving. Only when sculptors make full use of these constraints, get familiar with the particularity of their creative forms and language forms, develop their strengths and avoid their weaknesses, and "do whatever it takes" to give full play to their unique inspiration, can they gallop freely in the world of creation.
地方文化历史传统、人群的自然构成及他们的生活方式，心理因素等条件都成为浮雕创作的背景材料，雕塑家凭借一系列背景材料形成他们独特的创作意识和表达语言。
Local cultural and historical traditions, the natural composition of the crowd and their way of life, psychological factors and other conditions have become the background materials of relief creation. With a series of background materials, sculptors form their unique creative consciousness and expression language.
